The Mad Redwood

Miller’s Girl is many things. It’s a movie that I learnt about through a YouTube ad, and which came out in cinemas in early 2024. It stars Jenna Ortega, a.k.a. Wednesday from Wednesday, and Martin Freeman, a.k.a. Bilbo Baggins from The Hobbit. They play an eighteen-year-old high-school senior improbably named Cairo Sweet, and a middle-aged creative writing teacher named Jonathan Miller. Just to be clear, Freeman plays the teacher and Ortega plays the student.

Look — no matter how you look at it, it’s hard to explain the musical Cats, even without addressing the 2019 movie version. Enough has been written about that version already, and I don’t feel that I should bash it without having seen it, even if it is bad. The version I want to talk about instead is the 1998 movie, which I have seen. Certainly, this is the first time where I think I should summarise the topic of the week in its entirety before attempting to say anything about it. I’ll have to give it a shot, so just bear with me. You’re going to have to suspend your disbelief quite a bit.

I’m comparing Rainbow Six: Siege and Fragpunk lore today, because I recently got into Siege X, since it’s free. This may seem to be an unfair comparison. Siege X has existed for a decade under the regular Siege name, and boasts a rich cast of characters as well as the original Tom Clancy books as source material. Meanwhile, Fragpunk is a brand-new game with brand-new lore. As such, I’m only going to be comparing the presentation of lore, so that both sides get an even shake — except both choose the least interesting way to present lore in a video game, that being large chunks of text.

The Apothecary Diaries is a manga series that is adapted from a light novel series, and which now has an anime adaptation of its own (which has just gotten its second season). There are three manga adaptations: the main one, a reinterpretation known as “Maomao’s Notes,” and another spinoff manga featuring a side character’s perspective. I hadn’t heard of any of these until a few days ago (as of writing), but decided to check the main manga out upon a friend’s recommendation. It was described to me like this: it’s the story of a young girl named Maomao who’s forced into a food-testing job in the inner courts of an ancient-China-adjacent fictional nation, who applies her expertise in medicine, herbs, and poisons to surviving court life. Also, there’s a prominent romance subplot with a beautiful eunuch.

Yes, that’s the title of the game. Already you can sense the vibe this game is trying to run with: it’s weird! It’s charming! It’s quirky! And it’s fun! It doesn’t want to take itself too seriously, ‘cos it’s chill like that! But what is it? I think it’s best described as “mostly-multiplayer Guitar Hero but with minigames, puzzles, and gimmicks.” I don’t like the word ‘gimmicks’ there, but I think it’s appropriate.

‘RPG’ stands for ‘rocket-propelled grenade.’ Wikipedia defines an RPG as a “shoulder-fired anti-tank weapon that launches rockets equipped with a shaped-charge explosive warhead.” A ‘shaped-charge’ is an explosive ‘charge’ shaped such that the destructive energy is focused in a particular desired way. In the RPG’s case, the goal is to penetrate thick metal armour, most likely on a tank (or a similar armoured vehicle). You’ll probably be familiar with the most famous RPG launcher: the RPG-7, which was originally designed by the USSR in the 1960s, but is still used today due to its simplicity, effectiveness, and hardiness. Oh, but as a side note, ‘RPG’ also stands for ‘role-playing game’ in video game terms.

Lost in Translation is sad. I don’t know what else to say, so that’s all for this week.

When writing fiction, characters are always tricky. Even in non-fiction, characters are tricky if you’re going for a creative angle on a real person. Much has been said about writing characters that are more than one-dimensional, ie. having layers and motivations. Creating such layers and motivations means that those layers and motivations will bleed into the plot of a story, and that’s crucial for a reader’s or audience’s engagement with said plot. Even if that plot is very engaging, you want equally engaging characters to go along with it.

Bangkok Dog is a martial arts film. Martial arts films are not known for their writing. They’re known — good ones, anyway — for tightly-choreographed action scenes that are shot in dynamic, interesting ways. You’ve got the John Wick franchise with its wide shots to show off the performers’ talent, putting all the incredible technique and prowess on full display. You’ve got the Ip Man franchise, for that classic Hong-Kong-martial-arts-film-feel with a modern twist, with decades of experience behind each film. Franchises aside, Jackie Chan is known for insane high-spectacle stunts in most, if not all, of his martial arts films.

Hanna isn't a movie I've heard much about, but it’s about a little girl who’s trained to be an assassin. I’d first gotten interested in Hanna when I found out that it was directed by the same guy who did Darkest Hour in 2017, which I’d really enjoyed. I’ve also been interested in the John Wick franchise for a while, which is about assassins, if you didn’t know. I also discovered — when looking at the Wikipedia page for Hanna — that it starred Saoirse Ronan, and I’ve wanted to watch something she’s in for some time, mostly because I like the name Saoirse. After reading the description of the plot of Hanna, I expected a movie about assassins in which young Saoirse Ronan trains all her life for a mission, and the movie shows that mission. It turned out to be not quite that. It also turned out to be absolutely bloody horrifying.

As you might be able to tell from the title of this post, this is going to be about endings. Naturally, spoilers ahead, but then River City Girls was released in 2019, and its sequel was released in 2022, and neither are very long games. This is a sort of recommendation post, with some caveats that will become clear along the way. What you need to know is that these are 2D side-scrolling beat-‘em-up games — a mouthful of a genre term to begin with — in a retro mould that’s highly sought after these days. These games were all the rage in the late ‘80s and throughout the ‘90s, with franchises like Double Dragon and Final Fight leading the charge. River City Girls is a revival of one of those retro series: the Kunio-kun franchise, except this time you play as the previous main characters’ girlfriends who are trying to save them, and who have to beat up a lot of people on the way. Misako and Kyoko have been playable in the series before, but this game took the series in a new sparkly direction with updated visuals, but with all the classic mechanics that fans love.

I usually don’t mess with mods because I like video games as crafted experiences. If some developers release a game a certain way, I like to consider the reasons for why that may be; perhaps they cut or added content for good reason. For instance, a cut minigame in GTA: San Andreas that was discovered still hidden in the game’s code led to a massive scandal, and also led to the game being outright banned in Australia. Probably, the developers of that game had been pleased with the decision to remove it. Probably also, though, they would’ve been more pleased if they’d removed it from the code entirely.